The fourth revival of Jonathan Miller’s La bohème only proves what a genius stage director he was. The production is set at a time some years ago which was recognisable to the audience, and Isabella Bywater’s designs are classic in nature. For once, there were no mechanical production difficulties as the sets - when being moved - were pushed around the stage by hand. Overall, the production was lots of fun and indeed fun was enjoyed by the audience and artists alike. The deep-set laughter at times in the auditorium was a testament to this.
Ben Glassberg conducted with good pace and was in control of a group of singers who contributed with gusto to the evening’s entertainment. The Marcello of Charles Rice and the Mimi of Sinéad Campbell-Wallace were undoubtedly the stars of the show, although Louise Alder’s Musetta and Simon Butteriss, in the dual role as landlord and companion to Musetta, gave them a real run for their money.
The Rodolfo of David Junghoon Kim had some difficulties in the first act, particularly in the soft moments, but he seemed in better control as the evening wore on. William Thomas as Colline and Benson Wilson as Schaunard - both Harwood artists - completed the roster of singers. The chorus was in great form and the revival director Crispin Lord added some nice new touches to the production.
The performance was in memory of Jonathan Miller, and Amanda Holden who provided the English translation. They will both be sorely missed. But the production should not be missed. It was a wonderful night of opera.
