Here, I post my reviews and document my love of opera. I hope you enjoy it. Please feel free to comment on any of my posts or contact me if you wish to.
Have a nice stay!
David Buchler
All tagged Royal Opera House
Richard Jones must be delighted by this latest outing of his 2017 new production of La Bohème. The production is tighter and clearer. He and his designer Stewart Laing have put a huge amount of effort into the Act 2 Café Momus scene. It is outstanding, as he provides 3 shopping arcades on the stage, which eventually move apart as the Café Momus set arrives for the main part of that Act.
The collaboration between the Royal Opera and the Guildhall School of Music and Drama was established in 2013 as an opportunity for one composer every two years to research and write a major operatic work. Na’ama Zisser is the second such composer in residence, and she studied at the Royal College of Music under Turnage. Together with her sister Rachel and her partner Samantha Newton, who jointly wrote the libretto, they have structured a new chamber opera called Mamzer Bastard.
In 1760 the Scottish poet, James Macpherson, published translations of poetry by the ancient Celtic bard, Ossian. Thereafter, the vision of the Scottish landscape was a reflection of nostalgic mists and clattering hooves, with lakes, green hills and heather.
What a glorious night of opera. Of course, the music to Richard Strauss’s Rosenkavalier is full of the grandest of liqueur. It was written in 1911 as one of the greatest of social comedies, with a reflective libretto by Hugo von Hofmannsthal. It was first conducted at the Royal Opera House in 1913 by Thomas Beecham.
The original novel, Manon Lescaut, written by French author, Abbe Prevost, was banned upon publication in 1731. A similar treatment to the production by Jonathan Kent would not have gone amiss.
